9 Frame Analysis
The opening of Roman Polanski’s ‘Repulsion’
After Analysing openings of current horror films, we decided that
it would be helpful to analyse the films that inspired our current horror film
culture. Roman Polanski was hugely iconic in the film business, so his first English
speaking film, ‘Repulsion’, is a must to analyse.
The whole film follows the story of a Belgian woman, who kills two
men due to assault, harassment her own emotional instability. The film contains
aspects of slasher, thriller and psychological horror, which are all suggested
in our film opening.
The production logo then comes onto the screen.
The name of the film swoops across the eye, followed by
actors/directors names, and others who are involved in the film. This extreme
close-up shot is a focussed beginning to the film, making the audience
completely fixated on who this person is and why they are significant.
The camera shot changes to a less extreme close-up. This shows the
show reveal of the character, and perhaps suggests that throughout the film the
audience will see more and more of this person. This shows the audience
straight away who the film will be concentrating on.
The camera begins to slowly zoom out to show the woman’s face. The
fact that it zooms instead of cuts proposes that, bearing in mind the plot,
this woman is not going to suddenly turn into who she truly is (the killer) but
it’s a gradual build-up of events.
The woman’s face becomes exposed, as she looks ‘into space’ with a
gormless expression. Now the audience are aware of who they will be following
through the film, and are able to build events around her.
Before the audience get bored of only seeing this womans face, the
camera switches to a close-up shot of what we assume is the woman’s hand
holding another woman’s. The mise-en-scene reminds me of what you might see at
a hospital bed, with a loved one holding the dying persons hand. This suggests
the theme of death at the beginning of the film, which is also suggested in our
opening.
The 9th frame shows a woman lying on her back with a cracked face mask on. At first glance, she appears to be a corpse-like figure. This again introduces the theme of death to the film, although it then becomes clear that this woman is at the beautitions. Showing this corpse-like woman straight after the blonde woman directly links her with death. This creates a state of equilibrium through the setting of the beauty parlor, which the audience expects to be disrupted by the suggestion of death.
An opening can tell you a lot!
By Emili Hone
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