Wednesday 19 December 2012


Iconic Sounds of Psychological Thriller Films
 
The films Jaws (1975) probably has the most iconic music when it comes to music is psychological thrillers.
In this clip, the non-diegetic music begins when the camera is underneath the water focusing on the female swimmer from a low angle shot which could also be seen as the shark’s point of view and at this moment, the camera is quite far away from the swimmer. The instruments used are string instruments which are what instruments are commonly used in psychological thriller movies. The non-diegetic music begins with a peaceful opening to represent the serenity of the ocean; also, the music is not so intense here because the shark (antagonist) is not close to the swimmer yet. Also, it makes the audience wonder what is going to happen next to the protagonist. However, once the camera (the shark) gets closer to the swimmer and there is a low angle shot from beneath the swimmer, this is when the iconic music of Jaws begins. The non-diegetic music changes from a low pitch violin to a lower pitched string instrument starting quietly then gradually increasing the volume as the shark gets closer. This increases the tension within the audience and tells the audience that an attack is about to happen. In Jaws films when the shark is about to attack, this music will always play. As the shark gets closer to the swimmer, the tempo of the music increases and when a sudden movement happens, the high-pitch violin plays above of the constant melody. This makes the audience jump, which puts them in the protagonists position of their heart rate increasing and feeling scared.
 
Overall, in the Jaws films, before an attack, the non-diegetic music begins slowly with a low pitch instrument playing in the background when the antagonist is far away and the tempo and volume of the music increases once the antagonist gets closer to the victim and the attack begins.
The Shining
The Shining (1980) is also another film that includes iconic music and sounds. In this clip, the non-diegetic music matches the action and the genre of the film as the music used would contrast to a film with the genre of romantic comedy for example.

The non-diegetic music starts with a slower tempo and then builds up throughout this scene as the antagonist is braking through the door with the axe trying to get to the protagonist. This is a key element to music in psychological thriller movies as it builds tension within the audience. String instruments are used and are high pitched to make the audience feel uncomfortable as it is quite unpleasant and piercing to listen to which adds to the uneasiness of the action taking place. As well as the non-diegetic music, there is also diegetic sounds in this clip. For example, when the antagonist is breaking the bathroom door with the axe, there is the sudden sounds of the axe hitting the door, which alongside the increasing intensity of the music, makes the audience fear for the safety of the protagonist. The diegetic sound of the female victim screaming “NO!” is once again; high pitched and piercing for the audience to listen to, this makes the audience feel uncomfortable about the situation and fearful. The diegetic sound of the antagonist’s act hitting the door is also powerful compared to the protagonist holding the knife which seems small and harmful compared to the axe. This is a key element to psychological thrillers as the victim is always presented as less physically strong. Like Jaws, as the antagonist gets closer to the victim, the music intensifies and becomes lower in pitch; however, the high pitched string instruments continue to play in the background. This increases the fear and tension within the audience as it shows that something dangerous is about to happen.
Overall, I think that in our film opening, we will take all these point into consideration about the music and sound of a psychological thriller as we aim to make the audience feel uncomfortable, tense and scared when watching. We also want them to question what will happen next in the film and we think that the building of tension within the music will contribute to this. 
By Melissa Owen




 

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